Friday, December 02, 2005

Discussion Topic 2 - Gerard Manley Hopkins

Alright folks, time for another discussion topic. Let's talk about Gerard Manley Hopkins. Here's a link to the Wikipedia entry on him. The short story is that he was a well educated man who decided to become a Jesuit priest. He continued to write some amazing poetry, such as the following:


God's Grandeur

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man's smudge & shares man's smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs --
Because the Holy Ghost over the bent
World broods with warm breast & with ah! bright wings.


According to the Wikipedia entry, he struggled with feeling that his love of poetry prevented him from being fully devoted to his religion - which is interesting since his poems are, and have been, so effective at moving others to worship God. Some of his work was accepted, but not published by a Jesuit journal, which he took as a rejection.

You could take a lot of directions with this, and I'll leave it open, but here's some interesting questions.

  • Where are the Christians creating this level of art in our day?
  • How does the rejection of his poetry by the Jesuit order in his day mirror our expectations of priests/pastors in our day?

A reminder - don't respond in comments to this post, but go ahead and make a complete post, preceding the title with "DT2" so that its clear you're talking on this subject.

1 Comments:

Anonymous Anonymous said...

DK2: I think there are artists working in the medium of poetry today that, if not of the caliber of Hopkins, are at least worthy of being read and having our attention. Who are they: (speaking strictly of Americans) how about Mark Jarman, Jane Kenyon, Scott Cairns, Denise Levertov, Franz Wright? There are a host of others who might be Christian but not as orthodox. Two of my greatest role models for Christians in the arts are Hopkins and O'Connor. Poetry has a strike against it because few actually read it. Far more try to write it. Hopkins was ahead of his time as a poet and perhaps as a Christian artist. He was very confident for a man who was so little understood aesthetically by even his best friend (Robert Bridges). I don't think Hopkins was as worried about his poetry interfering with his practice of faith and religion, as he was being obedient to his Jesuitical authority. It was no secret to the Order that he was a poet and they often turned to him to write pieces for occasions--that's why he wrote Wreck of the Deutschland (in which 10 nuns died in a shipwreck) but the magazine of choice for the Jesuitical order didn't publish it because the editor didn't fully understand it. My guess is Hopkins knew that poetry helped him in his worship (and had the potential to help others) but was afraid of putting himself forward (or appearing to) or going against the authority in the church he had to answer to. His fleece was to get it published through the Order of Jesuits instrument or not at all. Though it should be noted that, even while he burned his manuscript, he made sure that Bridges had copies first...maybe part of him understood that posterity might read him. I believe there are artists who are Christians working today close to or of Hopkins caliber of genius. The only question in my mind is when we will read them--before or after glory? I'm pretty sure Heaven will have one hell of a library...

10/17/2006 5:13 PM  

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